{"id":1600,"date":"2023-10-06T11:23:02","date_gmt":"2023-10-06T09:23:02","guid":{"rendered":"https:\/\/aboriginal-australia.art.semfactory.cfolks.pl\/?p=1600"},"modified":"2024-01-30T15:39:38","modified_gmt":"2024-01-30T14:39:38","slug":"oenpelli-terytorium-polnocne","status":"publish","type":"post","link":"https:\/\/aboriginal-australia.art\/en\/oenpelli-terytorium-polnocne\/","title":{"rendered":"Oenpelli (NT)"},"content":{"rendered":"
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Oenpelli (NT)<\/span><\/h1><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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I asked the indigenous people of Australia about the Dream Paths. Very few people wanted to talk to me about it at all, and everyone answered differently. It's as if the Native was asking us about eternal life from a Christian point of view. I would have to tell him that we have a paradise from which we were expelled, a purgatory and hell. We look at our lives from the perspective of the past, we clumsily try to grasp the present and we think too often about the future. He wouldn't understand us.\u00a0<\/p>

The indigenous have only one land, here and now, and one time in which the present is thoroughly intertwined with the past and in which there is no room for the future. For them, every day begins a world that is directly connected to the Dream Time of the Ancestors. This is about mythological references to the period of the creation of the world, which have continuity in the present. This cosmos remains not entirely clear to me, but the more I immerse myself in it, the greater satisfaction I feel, which slowly turns into a strong bond. What captured my imagination the most was the topic of Song Paths. I have already revealed that music is important to me. I spent several years with rock musicians as their manager, and I have been writing about jazz for many years. What is extraordinary and fascinating to me is that the First Peoples treat songs like a map, that they can sing their way through the bush. They are like birds singing their flight paths - hundreds, thousands of kilometers. The song, which has aesthetic significance all over the world and stimulates strong emotions, has a practical function for them.<\/span><\/p>

\u2013 For us, conquering the world means expanding the map of Song \u2013 Amaroo, a honest and constantly smiling Aborigine whom I met in the Oenpelli settlement, in Kakadu National Park, tried to explain to me. I came here attracted by the landscapes of the East Alligator River floodplain. There were billabongs, i.e. lakes left after the flood in the wet season, filled with water lilies and... crocodiles. On a hot day, I was tempted to dive into them. Amaroo was a good conversationalist, he wanted to tell me something. His eyes were full of dignity. He spoke calmly, restrained, in a language that a white man could understand. I had the impression that he spoke to me as if I were a child, patiently and cheerfully. I could talk to him for hours, the Rainbow Serpent probably sent him to me.<\/p>

\u2013 Once upon a time, each of us owned a piece of land. The deed of ownership was the Song, he said.<\/p>

My imagination caught on to a song by Beata Kozidrak, which I don't really like.<\/p>

\u2013 \u201cThere is no water in the desert\u2026\u201d I hummed to Amaroo and asked if I would go anywhere with this song.<\/p>

\u2013 If it's good, it'll be on the charts in your country. If it's amazing, the world is waiting for you - Amaroo ironized, but I asked for it myself.<\/p>

\u2013 You won't get far with this song because you didn't receive it ritually and forever, and its words mean nothing. You won't get anywhere with her, Amaroo explained and continued:<\/p>

\u2013 Our Song can connect opposite ends of Australia, and often crosses language borders, i.e. other countries. The Song describes nature, and as I walk the Path of the Song, I gain power. It draws you in like a whirlpool of water, carries you like a motor. This has enormous POWER!<\/p>

\u2013 I understand that you travel across the country with the Song on your lips. It's one melody. There is a finite, specific number of bars, only the words change - I tried to follow, but I didn't understand much of it.<\/p>

\u2013 My verses are my homeland. I go and sing. I'm going because I sing. After singing the last verse, I reach the border of my territory.<\/p>

\u2013 But the Song Line goes further, even thousands of kilometers. The same melody is sung in many languages! It's like learning the Odyssey, memorizing the map and traveling the world with it - I finally got it.<\/p>

\u2013 Yes, just like you, but without a passport and visas I can cross the \"border\". My grandfather encouraged me to travel like this, but no further than two \"countries\" across the \"border,\" he said.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\tFragment ksi\u0105\u017cki Marka Tomalika „Australia, gdzie kwiaty rodz\u0105 si\u0119 z ognia” National Geographic 2019\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Oenpelli (Terytorium P\u00f3\u0142nocne) Pyta\u0142em rdzennych mieszka\u0144c\u00f3w Australii o \u015acie\u017cki Snu. Raczej niewielu w og\u00f3le chcia\u0142o ze mn\u0105 rozmawia\u0107 na ten temat i ka\u017cdy odpowiada\u0142 inaczej. To tak, jakby Rdzenny pyta\u0142 nas o \u017cycie wieczne z chrze\u015bcija\u0144skiego punktu widzenia. Musia\u0142bym mu powiedzie\u0107, \u017ce mamy raj, z kt\u00f3rego zostali\u015bmy wygnani, czy\u015bciec i piek\u0142o. Na nasze \u017cycie patrzymy […]<\/p>\n","protected":false},"author":1,"featured_media":1785,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"yoast_head":"\nOenpelli (Terytorium P\u00f3\u0142nocne) - Aboriginal Australia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aboriginal-australia.art\/en\/oenpelli-terytorium-polnocne\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oenpelli (Terytorium P\u00f3\u0142nocne) - Aboriginal Australia\" \/>\n<meta property=\"og:description\" content=\"Oenpelli (Terytorium P\u00f3\u0142nocne) Pyta\u0142em rdzennych mieszka\u0144c\u00f3w Australii o \u015acie\u017cki Snu. Raczej niewielu w og\u00f3le chcia\u0142o ze mn\u0105 rozmawia\u0107 na ten temat i ka\u017cdy odpowiada\u0142 inaczej. To tak, jakby Rdzenny pyta\u0142 nas o \u017cycie wieczne z chrze\u015bcija\u0144skiego punktu widzenia. Musia\u0142bym mu powiedzie\u0107, \u017ce mamy raj, z kt\u00f3rego zostali\u015bmy wygnani, czy\u015bciec i piek\u0142o. 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